Showing posts with label link. Show all posts
Showing posts with label link. Show all posts

Friday, August 23, 2013

An Experiment in Curation

Over on ToP, Mike's running a fascinating experiment (see that link, and then later posts with the first cut of edited pictures and so on).

What makes this interesting to me is that it presents something of a solution to the "age of a trillion pictures" problem: How on earth shall we find new, good, work? We can simply dip in at random to the stream of pictures. We can do some sort of word of mouth thing, perhaps. It's not clear what results any of those will produce.

What Mike has done is:
  • start with a relatively small group of very interested, serious people: his regular readers (maybe 100,000 people? small-ish)
  • give them a theme and a narrow time window
  • receive on the order of 1000 pictures
  • edit that down to a small batch

Mike's audience is big enough to contain some genuinely "new artists" whatever that means, interested and serious enough to contain a high percentage of pretty good artists, and and small enough to produce a manageable set of pictures to start from.

As of this writing, he's posted a few dozen of the best, sifted from the submissions he's received. The work is truly excellent.

The question is, can this be replicated? Can you bottle it? If you can, this could be a significant channel for "breaking" new artists in this brave new world of a trillion photographs. That would be nice.

Wednesday, August 14, 2013

Watch This Video

This video is, by a wide margin, the best discussion of photographic composition I have seen on the web. He doesn't mention the rule of thirds once, nor a Golden anything. Instead, he actually talks about composition:



It's extremely refreshing, and interesting. Also, much is revealed about Henri Cartier-Bresson when you start looking at the pictures from a design perspective, from the point of view of a painter or a sculptor.

Monday, October 29, 2012

The Online Photographer

Once again, Mike nails it. Read it, know it, love it. It's everything I believe in, it's everything I think you should, too.

Wednesday, October 3, 2012

What is Photography?

Mike J over on ToP has a wonderful series of blog posts discussing Doug Rickard's book of photographs drawn from Google's Street View and some surrounding ideas. The most important one, I think, is here. If that one interests you, then read the posts before and after for a little ways as well, there's some more commentary and ideas there.

This all swirls around a single central issue which is "what is photography?" I don't propose to answer that question, but instead to talk around it a bit. These are interesting ideas, I think it's important to wrestle with the question but it is not important to devise a definitive answer. Indeed, I think there is no definitive answer, and trying to produce one is a waste of effort.

There are things we certainly recognize as photography. If I load some film into a camera, point that camera at something, press the shutter release, develop and print that film onto a piece of photographic paper, I have pretty much undeniably made a photograph. What I have done is photography. There are, similarly, things we recognize as certainly not photography. Fishing, for instance, is definitely not photography. Painting a picture, applying pigments to canvas with brush and trowel, is a more interesting case. It is certainly not photography, although it does produce images and contains some of the same elements (selecting a frame, objects to place in the frame, and so on).

Between the two there appears to be a spectrum, a continuum of photographic techniques combined with techniques of drawing and painting. We probably all have ideas about individual works in here: that's not a photograph, it's a digital painting; that's a photogram and I consider that photography. Any two people will probably disagree on some works, and agree on others. This is ok, I can see no particular benefit to having clear and universally agreed-upon lines that delineate photography from digital art from painting from whatever else you might imagine. What is important is that we understand that there is a continuum in which we might need to agree to disagree.

Just as there is a spectrum of possibility between painting and photography, there is a spectrum of possibility between photography and editing. If I edit a set of 227 photographs into a portfolio of 7 images, that is pretty much just editing. If I select from a single person's flickr stream their 10 best images, that is probably pretty much editing too. If I select 10 outstanding images from all the photographs posted on the web, it begins to get fuzzy. As in the previous case, you may well have a personal opinion to the effect that this is, or is not, photography or editing. That's ok. What we need to recognize is that at this point we're entering an area where opinions may differ.

Someone who thinks that photography is about "selecting an image" whether it be from the real world, from Street View, or from the web, may reasonably consider this editing-like activity to be "photography" and there are legitimate reasons for considering it so. If you, personally, think that a shutter release button-press is necessary for photography, so be it. You disagree.

Thursday, July 5, 2012

On "Street" Photography

Here are two excellent articles on street photography.

On Street Photography and Why Do Street Photography by Russ Lewis.

Street's not really my thing and I haven't thought a lot about it. You might disagree with Russ over definitions, but what he's describing is definitely a form, whatever you want to call it, and it's the form practiced by many of the greats. Russ does a nice job of describing what he thinks of as "street" and makes a credible argument that what he just described is what Cartier-Bresson and those guys were doing. Then he tells you not how to do it, but at least what some pre-requisites are, and why you might want to do it.

Read 'em, they're worth your time! Russ thinks and writes clearly.

Saturday, April 21, 2012

The Online Photographer

Mike at ToP rules from orbit, but sometimes he or his guest writers wander off into technical mucking about with resolution and sharpness and gear and so on. So, it's always a joy to see essays like this one.
Read it. Live it. It's the truest thing I've read about photographs on this whole ugly internet thing.