Thursday, April 24, 2014

On "Workflow"

Digital photographers seem to obsess, sometimes, over this idea of "workflow". This is the work that occurs after the shutter press and before the final result, whatever that is. There's a lot of "here is my workflow" or "what is your workflow?" floating around out there. People write up their workflow, "Step 3: Level the Horizon" and 17 other absurd tiny steps.

It's not that this is a terrible thing. The great leap forward digital has given us is the ability to do a bunch of stuff after the shutter press and before the final result. That's a good thing.

I see two things that are bad about it, however.

The first thing is the obsession over it. It's just some stuff you do, it's not the heart of your creative process. Your art isn't in your "workflow" unless you're a digital painter. If you're a photographer, the workflow should be secondary, it should enhance your photography. A common workflow will tend to create similarity between photographs, which is great for a portfolio or other body of work which is supposed to be coherent.

Which leads to the other problem. If you standardize your workflow, then you apply it to everything you do, whether the process is appropriate or not. All your landscapes look the same, whether they're supposed to or not. Your portraits looks kind of like your landscapes which look kind of like your still lifes.

Standardize workflow as appropriate. It's just a tool, use it as such. When a tool suits the job at hand, use it. When it does not, set it aside and take another tool, a tool that does suit the job.

Do you make bespoke wooden furniture, or are you a chisel-user?

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